Preface(3/5)
he leading figures in a revival of the vernacular, and burns received from them a national tradition which he succeeded in carrying to its highest pitch, becoming thereby, to an almost unique degree, the poet of his people.
he first showed complete mastery of verse in the field of satire. in “the twa herds,” “holy willie's prayer,” “address to the unco guid,” “the holy fair,” and others, he manifested sympathy with the protest of the so-called “new light” party, which had sprung up in opposition to the extreme calvinism and intolerance of the dominant “auld lichts.” the fact that burns had personally suffered from the discipline of the kirk probably added fire to his attacks, but the satires show more than personal animus. the force of the invective, the keenness of the wit, and the fervor of the imagination which they displayed, rendered them an important force in the theological liberation of scotland.
the kilmarnock volume contained, besides satire, a number of poems like “the twa dogs” and “the cotter's saturday night,” which are vividly descriptive of the scots peasant life with which he was most familiar; and a group like “puir mailie” and “to a mouse,” which, in the tenderness of their treatment of animals, revealed one of the most attractive sides of burns' personality. many of his poems were never printed during his lifetime, the most remarkable of these being “the jolly beggars,” a piece in which, by the intensity of his imaginative sympathy and the brilliance of his technique, he renders a picture of the lowest dregs of society in such a way as to raise it into the realm of great poetry.
but the real national importance of burns is due chiefly to his songs. the puritan austerity of the centuries following the reformation had discouraged secular music, like other forms of art, in scotland; and as a result scottish song had become hopelessly degraded in point both of decency and literary quality. from youth burns had been inter
he first showed complete mastery of verse in the field of satire. in “the twa herds,” “holy willie's prayer,” “address to the unco guid,” “the holy fair,” and others, he manifested sympathy with the protest of the so-called “new light” party, which had sprung up in opposition to the extreme calvinism and intolerance of the dominant “auld lichts.” the fact that burns had personally suffered from the discipline of the kirk probably added fire to his attacks, but the satires show more than personal animus. the force of the invective, the keenness of the wit, and the fervor of the imagination which they displayed, rendered them an important force in the theological liberation of scotland.
the kilmarnock volume contained, besides satire, a number of poems like “the twa dogs” and “the cotter's saturday night,” which are vividly descriptive of the scots peasant life with which he was most familiar; and a group like “puir mailie” and “to a mouse,” which, in the tenderness of their treatment of animals, revealed one of the most attractive sides of burns' personality. many of his poems were never printed during his lifetime, the most remarkable of these being “the jolly beggars,” a piece in which, by the intensity of his imaginative sympathy and the brilliance of his technique, he renders a picture of the lowest dregs of society in such a way as to raise it into the realm of great poetry.
but the real national importance of burns is due chiefly to his songs. the puritan austerity of the centuries following the reformation had discouraged secular music, like other forms of art, in scotland; and as a result scottish song had become hopelessly degraded in point both of decency and literary quality. from youth burns had been inter
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